The Suicide King
Modern playing cards are filled with layers of meaning and symbology that can be traced back centuries. The four kings, for example, are based off of real rulers: the king of diamonds represents the wealthy Julius Caesar, the king of clubs is the brutal Alexander the Great, Spades represents the strong but kind David of Israel and Hearts represents the… emotionally disturbed, shall we say, Charles VII of France. It is this king that we will be dealing with today. It should also be noted that Charles was the only one of the four who was actually there to see the day that his face was printed on a playing card, which may rationalize why he acted apart from the others.
Charles’ visage was put on the king of hearts at the very beginning of his rule, but he never really got a chance to come into contact with playing cards until many years later when he became very ill with a fever and was informed that he would be bedridden for the rest of his life. It was during this period that Charles began learning card games to pass the time, such as an early version of black jack, “vingt-et-un” (twenty one).
Charles lay in his bed for two years, constantly fiddling with the cards and always getting weaker. As time continued to pass, there were reports that Charles had begun obsessing over the idea that the king being the thirteenth card in a suit was causing him bad luck. He talked about how he was starting to see the number pop up everywhere and that he was close to figuring out its secret. Of course, his ramblings were blamed on the fever, and by the end of the second year, he had been declared insane, and his son Louis XII took over the thrown.
One day, several months after the end of his reign, one of Charles’ physicians went to his chamber to find the frail old man standing in the middle of the room wielding a large sword. Before the doctor could react, the king said, “Ils m’ont montré la vérité de treize, et il n’est pas signifié pour les yeux mortels.” which roughly translates to, “They have shown me the truth of thirteen, and it is not meant for mortal eyes.” Without hesitation the king proceeded to ram the blade in through the left side of his head (between the ear and temple) until it came out the other side. He wavered a moment, before collapsing to the floor dead.
After the incident was announced and it was made public that the king had gone mad, the image of Charles on the king of hearts was altered to show himself offing himself. Although the picture is now shown significant-ly less graphically, the image of Charles thrusting the sword into his skull can still be found on modern day playing cards. Perhaps the strangest part of the whole story, however, is the day that Charles chose to kill himself: 7/6/1462. Whether or not it was intentional of the king, the facts that 6+7=13 and 1+4+6+2=13 can only be explained as coincidences.
A Child’s Eyes
Every child fears under their bed. If they don’t, they fear the closet, or maybe that little crack in the almost closed door.
Scientists know that children are more perceptive, they see things adults don’t. They aren’t yet tethered into only accepting what society wants them to accept. They see what is truly there.
They see the monsters.
If you were to borrow a child’s eyes and see through them for a night, you would go insane. To be able to see what you only dimly remember, burrowing into your covers while wearing those train pajamas, hoping to a God you can barely comprehend that “it” doesn’t see you back…would drive an adult crazy. Because Adults forget the rules.
1) Cover yourself. If you can’t see it, it can’t see you. Even if it makes it harder to breathe.
2) Don’t make a noise. Every whimper can lead to destruction.
3) Don’t move. It attracts their attention.
4) Only light can make them go away. Bright light. Flashlights make it worse.
Teens are caught in the middle. They still feel what’s there, but they cannot see… and they forget the rules….
Why do you think there are so many insomniacs typing at their computers, subconsciously praying the light from their monitor will be enough to keep them away?
It’s not. Now look behind you with a child’s eyes and try not to scream.
Tug Tug Tug
You could kick yourself. Its the middle of the night–or early in the morning, depending on how you look at it–and freezing cold because you, like an idiot, kicked off your blanket in the night. Nearly entirely off the bed, in fact, with only one lonely corner clinging to the edge of the bed.
Sitting up you take it in your hands, feeling that familiar fear from your childhood: that if you don’t find something to cover yourself up, you are leaving yourself open to all sorts of supernatural horrors. You shrug it off with a chuckle and give the blanket a good hard tug, trying to pull it all up with one go.
No luck. It seems to be stuck.
Another sharp pull seems to free it a bit, and you work, tugging it back up and trying to ignore that silly feeling of growing dread. Tug. Tug tug tug…. There! Finally! The blanket is mostly back up on the bed and you are safely beneath it once more, teasing yourself mentally for getting all worked up over nothing. Until, just before you drift back asleep, you feel a tug from that one side still dangling down from where it had fallen before.
Tug tug tug.
Arthur
You volunteer at the mental health clinic. Given the dangerous nature of the residents, they assigned you the rooms of the less violent patients. The suicidal. Those who hear voices. Those that don’t say anything at all.
You become close to a mute man named Arthur. He is a rapt listener, willing to nod his head for hours as you tell him the story of your life. You mention your past, your present. The people involved in both. Your hopes for the future.
And Arthur just nods.
After several months of listening, you figure that you owe it to Arthur to get him out of the clinic. He can’t be happy sitting in a room by himself nodding at interns everyday. You talk to the supervisor of the clinic. You argue that he isn’t harming anyone. That he grooms and feeds himself with no problems. That perhaps his condition is a physical aliment.
The day comes when your arguing pays off. The supervisor has agreed to let Arthur go. You rush to his room to tell him the news. “You’re free!” You shout. “Isn’t that great?”
And Arthur just nods.
You write your name and address on a piece of paper. Hand it to him. “I’m going to miss having someone to talk to.” You say. “But now you can write me. I can learn all about you. Like why they were so insistent in having you in here, pal. I had to fight Dr. Thanner everyday to get you out.”
He looks at you and takes the paper. Just nods.
You go home, feeling good about yourself. You brag to everyone you can tell, friends, family, classmates, co-workers, about how you came through for Arthur. You even fall asleep with a smile.
That night, your eyes snap open. Screams, unearthly screams wake you up.
Then you see them. Your mother. Your father. Your friends. Your classmates. Your co-workers. Lying on your floor, their blood soaking into your carpet. Your walls stained with carnage. Their heads bashed in, their eyes missing from their sockets. Everyone you know dead or dying.
You whimper and see a man standing in the doorway.
It’s Arthur, holding the piece of paper you gave him.
Your entire body shaking, you choke out. “Are you here to kill me?”
And Arthur just nods.
Call me tomorrow, Okay?
Still no messages on my phone.
I guess he wasn’t going to call me back after all. I can’t really blame him, maybe I came on a bit too fast yesterday.
I had noticed him long before he noticed me. His shiny black hair and unnatural blue eyes. I wasn’t the only one watching him, that’s for sure. His movements were elegant in a boyish way. And his smile…his smile.
I would die for that smile.
Still no messages…
I thought about calling him, maybe apologize for going too fast yesterday. I’m a coward, I know, but I just couldn’t bring myself to dial his number.
Besides he’d promised he’d contact me when he’s ready.
So I’ll wait. I’m patient.
I know, I’ll just casually stroll past his house. Just to see if he’s home. Maybe he’s out, that would explain why he couldn’t call me yet.
He only lives half an hour away anyway. Maybe he’s shy and is scared to call me. Silly boy. I’ll go to him and tell him that he doesn’t have to be scared. That I don’t mind if he needs time.
He lives pretty secluded in a farm on the outskirts of town. I can hear the sheep in the stables as I approach. My heart skips when I see there’s lights burning inside. He must be there, he told me yesterday his parents would be gone for the weekend. They left him to look after the sheep for those days. Poor baby, that must be hard work. He was probably just too busy to call me. I’ll have to stay here until his parents come back and help him take care of all those sheep.
I knock on the door, but he doesn’t answer. Maybe he fell asleep. The thought of his beautiful face even more softened by sleep makes me smile. I try the door, it’s unlocked. There’s hardly any crime around here, so I guess locking the door is not needed. I try to be as quiet as possible as I sneak through the house. I want to surprise him. I cringe at every creak the stairs make as I climb them.
Finally I’ve reached the bedroom and I carefully open the door.
There he is, lying in bed as I thought. Quietly I switch on the nightlight on his desk so I can see his face.
His blue eyes are open, staring into space and his whole face is one bloody mess. His cheeks have been carved, the skin mostly removed and hanging loose on the sides of his face. He’s missing his fingernails, they are laid out on the bed carefully arranged. On his bare chest words are carved.
I look at him, my hands covering my mouth.
He’s still the same as I left him yesterday. He must have been so tired that he slept all day. How cute!
I softly kiss his forehead, making sure I don’t wake him. Then I write another message below the one on his chest, letting him know I’m here when he needs me.
I leave the room, heading back outside. I think it’s time for the sheep to go to sleep.
And tomorrow I’ll introduce myself to his parents. I’m sure they’ll love me too.





